From the album Sail / Find Love
This is about trying to trap someone in a shared memory before it disappears. The speaker keeps saying 'don't leave' to a person who might already be gone, begging them to stay inside a moment that only exists on a flickering screen now. The whole song is asking whether the relationship was ever real or just a reflection they built together.
In an Escher town / In the Palace - Gallen, hidden low / And the peaks stay Saint / And the streets wind up and down below
The opening drops you into a place that bends like an optical illusion. Escher drew impossible architecture, staircases that loop back on themselves. That choice tells you this memory is already warped, already caught in its own distortion.
To the balcony / Where the hands embrace amidst the rows / And the flickering screen / And the smell of almonds in the grove
The balcony and the screen sit side by side like they're the same place. Physical touch and digital replay blur together. The speaker might be remembering holding hands or watching footage of it. Either way, the moment is mediated now.
Is it mine in the mirror? / Is it mine or the mirror, we make?
This is the speaker realizing they can't tell if the relationship belonged to them or if they just reflected each other until something appeared. The question repeats twice because they never get an answer. They're stuck asking it.
Where we haven't run / Deep into the rows / Where the olives grow / Lost in the unknown / Until, lost is all we know
The speaker romanticizes getting lost together while simultaneously begging the other person not to leave. They want disappearance but only if it's mutual. Alone, lost just means abandoned.
Take all the time it takes / To make all the time it takes / It takes all the time it takes / To make all the time, it takes
The mantra sounds patient but it's actually desperate. The speaker is trying to slow time down, make the moment last longer by repeating the same phrase until it loses meaning. It's a stalling tactic disguised as acceptance.
The song ends where it started, with 'don't leave' on loop. The speaker never gets confirmation the other person is staying. They're just repeating the plea into a screen that plays the same image back. What sticks is that question about the mirror: they might have spent the whole relationship watching their own reflection and calling it love.