From the album Mr. Incorrect - Single
This is a breakup song where the narrator is trying so hard to convince you he's fine that he accidentally proves he's not. Every line insisting he's moved on gets undercut by how desperately he needs to say it. The song's real subject isn't the new relationship. It's the performance of being over it.
Babe, I don't wanna talk / I give you my love, you tell me goodbye
He leads with refusal but immediately explains the whole situation anyway. The contradiction is the point. Someone who genuinely doesn't want to talk wouldn't open the song telling you exactly what happened.
I got a new friend who kisses my face / I'm good, I'm doing alright
Calling a rebound 'a new friend' is maybe the saddest deflection here. He can't even commit to calling it a relationship. The forced reassurance in 'I'm good, I'm doing alright' sounds like he's reading from a script he wrote for himself.
I thought I was right, but you're never wrong
This line gets repeated four times in a row, which stops being emphasis and starts being obsession. The sarcasm is obvious but the repetition makes it sound like he's trapped in the argument, still trying to win it in his head.
I'd tell you I miss you, but I'm in a rush / Don't tell me my problems, I don't give a fuck
He finally admits he misses her, then immediately buries it under an excuse and defensive posturing. The abruptness of that last line is him slamming the door before you see too much. It's the emotional equivalent of hanging up mid-sentence.
The mid-song 'fuck, fuck' moment where he stumbles over his own words is maybe the most honest thing here. It's the only time the performance cracks. Everything else is him white-knuckling through a script of being okay, which makes the song about the work of pretending to be over someone, not the actual work of getting over them.
"Mr. Incorrect" by Malcolm Todd is a breakup song where the narrator's repeated insistence that he's fine actually reveals the opposite, according to Scalpel's line-by-line analysis. Each claim of moving on gets undermined by how urgently he needs to make it, turning the song into a portrait of performing recovery rather than actually experiencing it. The real focus isn't on any new relationship, but on the exhausting act of pretending to be okay.
"Mr. Incorrect" by Malcolm Todd explores performing recovery, the rebound as prop, preemptive defensiveness, and winning the argument alone. The central thread is performing recovery: Every declaration of being fine is structured like he's trying to pass a test he didn't study for, reciting the right answers without believing them. These themes come from Scalpel's line-by-line analysis of the lyrics.
"Mr. Incorrect" by Malcolm Todd was released on October 20, 2023 on the album "Mr. Incorrect, Single". Scalpel's analysis covers the full lyrics of the 2023 release.
Scalpel's line-by-line analysis of "Mr. Incorrect" by Malcolm Todd lands here: The mid-song 'fuck, fuck' moment where he stumbles over his own words is maybe the most honest thing here. It's the only time the performance cracks.