From the album Out in the Garden - Single
This is about wanting someone to see you as human while refusing to stop performing as the monster they need you to be. The narrator casts herself as the devil, the enemy, the evil one, then turns the knife back and demands Hannah acknowledge they're made the same. She's spent the whole song insisting on her own hollowness only to reveal that the real trap is Hannah's need to believe in villains.
Hannah's on her knees, but for all the holy reasons divine / She's talking to nothing, but she is normal and fine
The narrator positions faith as delusional from the jump, calling prayer 'talking to nothing,' yet the defensive tone ('but she is normal and fine') betrays how much she wishes she could believe it too. The contempt is a cover for envy she can't admit yet.
But how pretty to be praying to nothing / That gorgeous pill of sugar you swallow like it's something
She calls Hannah's faith 'pretty' and 'gorgeous' while simultaneously exposing it as a placebo. The narrator doesn't realize she's doing exactly what she accuses Hannah of: swallowing her own story (that she's hollow, evil, inhuman) like it's real.
There was women pushing the witch in the fire / And telling their husband to get out the stones
This is the narrator's real history surfacing. She's not performing evil for fun. She's been cast as the witch by women like Hannah, and now she's weaponizing that role, daring Hannah to finish what her faith tradition started.
If you puncture me you'll see / Blood running out like a father, like a daddy
The switch to 'like a father, like a daddy' is maybe the most unguarded moment in the song. She's not hollow. She bleeds like anyone who was raised by someone who hurt them. The devil costume cracks and what's underneath is just damage.
Are you scared of seeing muscle come out of me like glue? / That something you think's evil is exactly like you
The whole performance collapses into a plea. She's not asking Hannah to accept her evil. She's asking Hannah to see that the thing she's been praying against is just a person, made of the same biology and loneliness as everyone else.
The song ends before Hannah responds because it was never really about her answer. It was about the narrator finally saying out loud that she's not hollow, not evil, just someone who learned to wear the costume people kept handing her. The tragedy is she still can't take it off without someone else's permission.