From the album Move
This is about wanting someone so badly that staying stuck becomes unbearable, but the pull to move closer keeps crashing into a problem: they still can't take you anywhere. The song lives in that trap where the desire to get closer fights with the awareness that this person can't actually show up for you the way you need.
February / Ain't to many days to get to lose this heavy / Take it off to prove that I can
February is the shortest month, so there's already not much time. The heaviness she needs to lose isn't just emotional weight. It's the armor she wears to protect herself from wanting this person.
Imma water your power flower / I'm your chance at thunder showers
She's offering herself as the person who brings him to life, who makes things grow. But that phrasing, 'I'm your chance,' means she knows he might not take it.
Still can't take you no where
Repeated four times in a row like a stuck record. This is the cold truth underneath all the wanting. He can't be claimed publicly, can't be introduced to people, can't be shown off. The relationship only exists in private.
Tired of flying / Wings don't take me high enough / Tired of hiding / Behind the guys that it's enough to see you once
She's exhausted from pretending other relationships are sufficient when they're not. The 'guys' plural means she's tried filling the space with other people. Didn't work. One encounter with this person outweighs all of them.
My love, my friend / I need to see you once again
Calling him both love and friend softens the ask, makes it sound casual when it's desperate. 'Once again' means this keeps happening. She keeps coming back even though nothing changes.
The song loops the chorus eight times at the end because the pull to move closer never stops, even when you know the person can't take you anywhere. She's stuck in the cycle. The repetition is the point.