From the album Perverts
This is a song about someone offering total physical control while forbidding any emotional acknowledgment of what that control means. She gives detailed instructions on how to use her body and then demands silence about whatever love makes that use possible. The intimacy she describes is a performance of dominance she's directing someone else to perform on her, and the only thing she cannot tolerate is being told it means something.
You won't lose me to thunder or lightning / But you could to crowded rooms
She can survive anything private and violent but not anything public and witnessed. The collapse happens the moment intimacy requires a social self, not because she fears people but because crowded rooms demand you acknowledge what you are to each other out loud.
I could make you cum twenty times a day / Close the door, let me in
She promises extreme control over the lover's body and then immediately asks for entry, which is spatially backwards. You close a door to keep someone out or you let them in. She is naming the contradiction at the center of this whole arrangement without noticing it.
If you love me, keep it to yourself
This is not a casual aside. This is compulsive repetition, like she is trying to convince herself the rule will hold if she says it enough times. The song ends without resolving whether the lover has agreed to this deal or if she is just issuing the terms into silence.
Do you like that, baby?
She asks if the lover likes what she is doing, which would be a normal check-in except she has just described making them cum twenty times a day like she is grading her own technique. She is asking if she is performing devotion correctly, not if they want it. The question is about her skill, not their desire.
The song ends with eight straight lines of the same instruction, which means either the lover has not agreed to keep quiet or she does not trust that they will. She built a system where love can exist only if it remains unnamed, which makes her the person enforcing the silence she is also trapped inside. The violence here is not what she is asking for physically. It is the rule that says desire this close requires this much quiet.