From the album Mezzanine
This is devotional language aimed at something dangerous. The narrator worships an angel who neutralizes every man in sight, using salvation vocabulary to describe what sounds more like a threat. The relentless 'love you' repetition reads less like affection and more like a spell being cast to make something true that might not be.
You are my angel / Come from way above / To bring me love
Angels descend to save. That's the frame. But the next line pivots to eyes and the dark side, collapsing divine/demonic categories into each other before the narrator even finishes the thought.
She's on the dark side / Neutralize every man in sight
Neutralize is the song's most violent verb and the narrator drops it without explanation. Does she destroy desire, kill, render harmless? The narrator doesn't clarify because they don't seem to know the difference between danger and deliverance.
Love you, love you, love you, love you
Thirty repetitions of the same two words. This stops being a statement of feeling and becomes compulsion. The narrator is trying to make it real through repetition, like if they say it enough times it transforms into truth.
You are my angel
The angel never speaks. Never confirms the love despite the obsessive testimony. This is entirely one-sided devotion aimed at something that might not even notice the narrator exists.
The narrator would be shocked to learn they're describing a threat using the language of devotion. By the end you're not sure if this is love or something closer to religious mania aimed at a figure who neutralizes everyone who gets close. Maybe that's the same thing.