From the album Romanticize The Dive
This is a song about choosing perpetual motion over actual answers. The speaker knows exactly what haunts them (the path not taken, the crossroads), but instead of confronting it, they prescribe dancing as cure while remaining completely paralyzed by regret. The distraction is the subject, which means the distraction doesn't work.
I'm vibratin' / I'm oscillatin' / It's like I'm flyin'
These aren't forward-motion verbs. Vibrating and oscillating both mean moving without going anywhere, which undercuts the flight metaphor immediately. The speaker thinks they're describing freedom but they're actually describing being stuck in place.
With the tremolo soft and the guitar clean / I can take your mind off what could have been
Tremolo is literally a wavering effect, a controlled oscillation. The speaker is using a musical technique that embodies indecision to promise clarity. They're prescribing the problem as the solution without realizing it.
Everybody don't know / Everybody don't know
This framing makes the anxiety sound universal, shared, almost comforting. But the chorus immediately reveals this is intimate, personal torment about a specific crossroads. The speaker wants company in their confusion but they're alone in it.
Why didn't I take another path at the crossroads? / Crystal ball nobody can see
The question is rhetorical but the pain isn't. There's no crystal ball, which means there's no way to know if the other path would have been better, but the speaker can't stop asking anyway. That's the trap. Not the wrong choice, but the inability to stop re-litigating it.
Instead of asking for answers, dance with me / It's a slippery, slippery slope, honey
She admits the dance floor is slippery, meaning motion here is unstable, not freeing. Dancing isn't transcendence. It's just another way to avoid standing still long enough to face the question. And she knows it, which makes the invitation desperate.
The speaker would be surprised to learn that insisting on dancing instead of asking questions IS the answer. Choosing motion over clarity was the path they took at the crossroads they claim to regret. The song doesn't resolve because the speaker hasn't stopped oscillating long enough to see that the pattern is the problem, not the choice that started it.