From the album Postinternetfame / Self Tape
This is a person trying to promise their way into worthiness. The speaker offers to erase themselves completely (new name, new job, 10 kids, anywhere you want) because they don't believe who they currently are is enough to make someone stay. What they think is devotion is actually a confession that they've already decided they lost.
So what I thought I'd change / All the ways I thought I'd change / But I'm here at your door / My hands on the floor
Past tense confession slides straight into present-tense begging without acknowledging the contradiction. The speaker admits the transformation didn't happen, then immediately launches into promises that require the exact same transformation they just failed at.
I love you, we could have 10 kids / And move wherever you want / I'll get another job, I'll change my name
The offers get more extreme and less realistic with each line. Changing your name is not a gesture of love. It's what people do when they're running from something or erasing an old version of themselves they think is defective.
Your boyfriend's friend is sort of famous / Your best friend's getting all kinds of famous / I love you / Singing Jeff Buckley in the car
Wait, boyfriend? The speaker has been begging someone to stay who's already with someone else. The 'I love you' that follows reads like a non-sequitur, like the speaker is trying to override reality by just saying it louder. The Jeff Buckley detail might be a specific memory , but it also works as shorthand for performative sensitivity, the guy who picks emotionally devastating music to prove he feels things deeply.
Baby, you should call me / Baby, you should call me / Baby, you should call me
The song ends with the speaker waiting by the phone after offering to become anyone, live anywhere, do anything. They've bargained themselves down to begging for a phone call. The repetition doesn't sound hopeful. It sounds like someone trying to convince themselves this might actually happen.
The speaker thinks they're fighting for love, but what they're really doing is negotiating the terms of their own disappearance. By the end, they've bargained themselves down to just wanting a phone call. That might be the saddest part—not that they lost, but that they don't seem to notice they were never actually in the game.