From the album Loveland
This is about someone who engineered the entire chase just to feel wanted, then resents the person for wanting her. She knows she led him here. The cruelty is not accidental. She built a devotion she finds disgusting.
I hate it when you love me / But I still love it when you call me sometimes
She contradicts herself in the same breath. The song starts by admitting she needs his attention even though his love repulses her. That 'sometimes' is doing heavy work. She wants him available, not committed.
You say you fucking love me / I tricked you, now you're on your knees
She takes full credit for deceiving him. Not 'we fell into this' or 'things got complicated.' She tricked him. That is premeditated. But naming it does not make her stop.
I tried to warn you, baby / You're reading in between the lines
Wait. She just said she tricked him. Now she claims she warned him. She wants responsibility for the seduction but not the fallout. The warning was probably vague enough to ignore, which let her feel ethical while doing exactly what she wanted.
Sometimes I wanna play with my food / But I want it in the wild, not in my living room
This might be the most honest line in the song. She liked the thrill when he was chasing. Now that he is caught and domesticated, she is bored and disgusted. The prey metaphor is brutal. She does not see him as a person.
I think I liked you better running
She finally admits what she has been circling. His devotion killed the thing she actually wanted, which was not him but the feeling of being pursued. She does not know how to want someone who stays.
The song ends where it started. She has confessed the whole pattern but will not change it. The worst part is not that she hurt him. It is that she knew she would and did it anyway because the thrill of being chased mattered more than what happened after he caught her.