From the album Where There's Smoke, There's Fire
This is a blues-rock sex metaphor that commits completely to the bit. Dan Auerbach plays a literal fire spreading out of control, casting his lover as the firefighter who can put him out. It's horny, absurd, and so locked into the conceit that lines like "I'm crazy and I'm black, yellow and red" sound totally natural.
I'm burning for you, I need your love / We fit together like a hand in a glove
The fire metaphor starts immediately, but notice how quickly it gets literal. By line two he's already talking about fitting together physically, not emotionally. This is garage rock foreplay disguised as romantic longing.
Woman to me, you're like a water hose
This might be the least poetic compliment ever written, and that's exactly why it works. He's not trying to be smooth. He's a fire, she puts fires out, that's the whole equation.
Your fire engine burning up and down the street / Baby, your love can't be beat / Traffic stops when you move, flashing lights mean trouble
Now she's driving an actual fire truck to get to him. The metaphor has become a whole scene, sirens and all. "Flashing lights mean trouble" before "we can cuddle" is the tonal sweet spot. Urgent rescue mission that ends in making out.
I'm shaking all over, I'm here and there / Got work to do, 'cause there's smoke everywhere
He's describing fire behavior like a training manual. Spreading, consuming, unpredictable. The joke only lands because he never winks at it. Treat a ridiculous metaphor seriously and it becomes swaggering instead of corny.
Now you can handle me, that's no joke / But your work is cut out, all the rising smoke
"That's no joke" is the only moment he acknowledges how absurd this all is. But even then, he doesn't break character. She can handle him, but barely. The fire's still winning.
This is what happens when you take a tired metaphor and run it past the point of good taste into full commitment. The Black Keys know exactly how goofy this is. They play it completely straight anyway. That's the move.