From the album SMITHEREENS
This is about using someone as a placeholder while waiting for a ghost to return. Joji is not moving on, he is performing the act of moving on, scanning his new partner's face for traces of someone who left. The cruelty is not just to himself but to the person holding him while he searches for someone else.
She'd take the world off my shoulders if it was ever hard to move / She'd turn the rain to a rainbow when I was living in the blue
The new partner sounds perfect on paper, doing everything a good partner should do. But the distance in how Joji describes her, like reading a review instead of feeling a connection, tells you everything about why this does not work.
Sometimes I look in her eyes, and that's where I find a glimpse of us / And I try to fall for her touch, but I'm thinking of the way it was
He is looking through her, not at her. The word "try" does the work here, admitting that falling for someone should not require effort, and that he is consciously attempting something that refuses to happen naturally.
Tell me he savors your glory, does he laugh the way I did? / Is this a part of your story? One that I had never lived
Joji flips the script and imagines his ex doing exactly what he is doing, using someone new while haunted by what they had. It is half hope that she is suffering too, half genuine question about whether he mattered at all.
Maybe one day, you'll feel lonely / And in his eyes, you'll get a glimpse / Maybe you'll start slipping slowly and find me again
This is the quietest part of the song and the most honest about what he wants. Not closure, not healing, but for her to fail at moving on the same way he has, so they can end up back together by mutual inability to let go.
I'm only here passing time in her arms / Hoping I'll find a glimpse of us
The repetition hammers home that nothing has changed by the end. He is still stuck, still hoping the next glance will give him what he needs, which is not this person in front of him but the memory of someone who is gone.
The song ends where it started, looping because Joji has not moved. What sticks is the unfairness to the person being used as a memory vessel, and the quiet devastation of realizing you can be with someone and still be completely alone.