From the album Nectar
This is not a song about falling in love. It's about someone who has chased idealized, unattainable romance and finally realizes that real connection means choosing someone flawed and present. Joji positions himself as the grounded alternative to fantasy, offering messy human intimacy instead of perfection.
Go ahead and bark after dark / Fallen star, I'm your one call away
Joji frames himself as the backup plan, the person you reach for when everything else falls apart. The imagery of motel halls and neon walls builds a world of transience and late-night desperation, setting up a relationship born from need rather than fairy tale meet-cutes.
I've been aiming for heaven above / But an angel ain't what I need
This is the core tension. The person he's singing to has been waiting for some idealized love, but Joji admits he has been doing the same thing and it got him nowhere. He is proposing they both stop waiting and settle for each other, which sounds cynical until you realize settling might be the most honest thing two people can do.
Not anyone, you're the one / More than fun, you're the sanctuary
He upgrades the relationship from fallback option to something sacred. Sanctuary means safety, refuge, a place you run to when the world gets hostile. It reframes ordinary love as radical when you have spent your whole life chasing something extraordinary.
Pull me, oh, so close / 'Cause you never know / Just how long our lives will be
Mortality enters the room. The urgency is not passion, it's the realization that waiting for perfect means potentially dying alone. This shifts the whole song from romantic to existential.
The genius here is how Joji makes settling sound like the bravest thing you can do. He is not offering forever or fireworks. He is offering now, with all its limitations, because now is the only thing that actually exists.