From the album MJ Lenderman
This is a song about someone who thinks offering domestic labor in exchange for emotional rescue is what a relationship looks like. The speaker promises to make the bed and leave their darkness behind, then immediately contradicts themselves by admitting the darkness is exactly why they're alone. What sounds like devotion is actually a job application for savior, with the wind as the competitor who figured out how to leave.
I'll make your bed every morning / And leave the dark behind
The promise sounds generous until you notice the transactional phrasing. He'll provide maid service if she provides salvation. That's not partnership, that's outsourcing your problems to someone who loves you.
You will be my savior / And you will be my friend
He lists what she'll be for him but never says what he'll be for her. The entire frame is about what he needs from someone else to function. Even 'friend' comes second to 'savior.'
This wind is always blowing cause it don't know where to be / Well somewhere in your loving you set him free
The wind starts as an intruder he's jealous of, then becomes the thing he identifies with. The wind got free because it didn't know where to be. He's stuck because he does know, and it's still here, needing her to fix him.
I masked away my darkness / And now I'm on my own
He promised to leave the darkness behind in verse one. By the end he admits he just masked it, and that masking is why he's alone now. The whole premise collapses. Hiding the problem to seem worthy of rescue guaranteed the rescue would fail.
The song ends with him alone, forced to figure it out himself, which is the outcome he was terrified of from line one. The repetition of 'got to figure it out on my own' sounds resigned, not empowered. He wanted someone else to do the work and now has no choice but to face what he spent the whole song trying to avoid.