From the album Gemini Rights
The narrator pledges eternal love immediately after cataloging mistreatment. That double negative, 'I will never not love you', sounds like devotion but reads like erasure of their own agency. The outro conflates pride with prize, turning self-respect into a possession they can't let go of.
And then you show me love / In my room, in my room
The repetition of 'in my room' shrinks the entire relationship down to one location. Love happens in a specific place, not everywhere, which makes it feel conditional and contained.
You took me all around / Then treat me like a dog / And make me walk for miles
The switch from romantic gesture to animal treatment happens mid-thought with no transition. He lists the abuse like he's reading a receipt, then immediately follows it with 'I will never not love you', the pledge erases the complaint before it can land.
And then you held me up / I will never not love you
That grammatical knot, 'never not', makes love sound inevitable instead of chosen. He's framing devotion as something that happens to him, not something he's deciding to give. Might be the most honest line in the song, even if he doesn't realize what he's admitting.
About my pride / About my prize
He toggles between pride and prize like they're interchangeable. Can't tell if he's defending his dignity or claiming ownership of the person who hurt him. The song ends without resolving which one he means, because maybe he doesn't know either.
The title word never appears in the lyrics, which feels right for a song about someone who can't name what's being pushed. He thinks he's declaring eternal love, but what he's really doing is narrating his own disappearance. That 'never not' is the sound of someone erasing the possibility of leaving.