From the album Gemini Rights
This is a clinic in emotional withholding disguised as self-awareness. Steve opens by naming codependency like he's diagnosing someone else's problem, then spends the rest of the song demonstrating his own version: cataloguing someone's body in detail while insisting he doesn't care enough to commit. The cruelty isn't accidental. It's the point.
Sometimes I feel the weight / Of codependency / I don't deserve the blame
He names the dynamic but immediately deflects responsibility. The song performs exactly what it claims to reject: emotional entanglement paired with refusal to acknowledge his own role in it.
Why you bother me? / Don't depend on me, no / Unless you're swallowing
The shift from emotional complaint to sexual demand happens in three lines. He wants access without obligation, and he's not subtle about it.
Or Hector, or Jacob / Or Kenny, there's plenty, through the city
Listing replacement names by first name only turns people into interchangeable options. It's meant to hurt, and the casual delivery makes it land harder.
You was handsome, with a heavy dick / A cannon, you do damage
This is where the song contradicts itself. Detailed physical praise reveals investment he claims not to have. You don't describe someone this specifically if they don't matter.
Please don't bother me / Don't depend on me, no / Are you following? / I'll never ask for that much
He just asked for oral sex in the first chorus. 'That much' now means emotional availability, which repositions physical intimacy as the baseline expectation. The math only works if you accept his framing.
The song title names someone who never appears in the lyrics. Everyone else gets listed by name as a potential replacement, but Cody stays absent, which might mean he's already gone or that Steve can't quite bring himself to say the name out loud. Either way, the song ends in hums, no words left, just the sound of someone who said everything except what actually matters.