From the album Motivational Rock Songs
This is a song about craving someone who gets off on your desperation. The narrator knows the power dynamic is poison but keeps coming back anyway. It's addiction disguised as romance, where being kept hungry is the whole point.
Something criminal but I can't fight it / Won't you tell me what to say? / Or pull me in and keep me nice and quiet
The word 'criminal' names what most love songs avoid admitting. Then she immediately gives up autonomy, asking to be told what to say or just silenced entirely. That surrender happens in two lines.
Just kill the noise, won't you fill my void? / Give it all up, won't you feed my senses?
She's not asking for love. She's asking to be numbed and fed like an animal. The shift from 'kill the noise' to 'fill my void' shows she knows the quiet won't last, but she wants the hit anyway.
You love me when I need you, do you need me? / I love it when you feed me / Yet you leave me begging for more
The line lands on 'do you need me?' then gets no answer. She already knows he doesn't. The whole chorus is her pretending the one-way street goes both ways while admitting it leaves her starving.
Starved but never show it / You like it when I'm broken
This is the coldest moment in the song. She's figured out the game. He doesn't want her satisfied. He wants her damaged and pretending she's fine. Repeating 'you like it when I'm broken' isn't accusation, it's just stating terms.
I love it when you feed me / Yet you leave me begging for more
The song ends exactly where it started, which is the point. There's no resolution because this cycle doesn't end. She knows what's happening and keeps signing up for it.
This song is meaner than it sounds at first. The Warning wrote a banger about emotional starvation where the narrator sees the trap and walks into it eyes open. The title isn't a demand. It's the only word she's allowed to say.