From the album U
This is about weaponizing the exact thing someone resents you for. underscores isn't defending her new lifestyle against judgment. She's turning it into the terms of the breakup itself, daring someone who can't keep up to either join her or admit they never believed she'd make it anyway.
Is it bad that I kinda love being a bitch? / I started telling myself that I deserve it
She catches herself enjoying the role of villain in someone else's story. The shift from question to justification happens in one breath, like she's already decided the answer is no.
Four-star hotel for a hookup, I'm gon' make it worth it
The casual vulgarity lands harder because everything before it was about massages and cursive fonts. She's not embarrassed by the mismatch between luxury setting and cheap behavior. That's the point.
I can see the fury in your eyes, hon' / Staring at my broken electronics / And my bad case of Cosmetica / And my dad and what his job is
The list structure turns resentment into inventory. Electronics, makeup addiction, family money. She knows exactly what they're judging and she's cataloging it back at them like evidence.
And if you kill it right now, just don't bury me in Hollywood Forever
Hollywood Forever is a real cemetery where celebrities are buried. She's literalizing the emotional murder happening in this relationship, but the request is almost sarcastic. If you're going to destroy this, at least let me avoid the cliché ending.
Don't you wanna come be famous with me?
Repeated eight times, it stops sounding like an invitation and starts sounding like an accusation. The question is whether they want success or just want to resent hers.
The Hollywood Forever reference does all the work. It's where famous people get buried when they're done being famous. She's saying if you're going to kill this relationship because I finally made it, don't make me a cautionary tale about selling out. Let me at least avoid the obvious ending.